. From Arkansas With Love. At first, this meant reclaiming (or sonically imitating) mainly rock 'n' roll, but ultimately it came to encompass almost any kind of popular mainstream American music heard on commercial radio, especially among teen and youth audiences. . For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see. CCM emerged as the musical avatar of those conservative evangelicals who believed it was a mistake for Christians to concede entire swaths of popular culture to secular tastes and values in the name of resisting worldliness and impiety. Created by: siremidor on 28-March-2013 - Last Edited by admin on 07-January-2016. The Martins's success draws upon an Arkansas imaginary that features a racially unconflicted working-class identity as well as a constellation of musical associations, cultural affinities, and attitudes grounded in piety, rusticity, and close harmony. During the last three decades of the twentieth century, these conservative evangelicals and fundamentalists ceased perceiving themselves in the Nixonian paradigm as a silent majority existing voicelessly and invisibly within mainstream US politics and culture. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. Claiming a home in southern gospel grounds The Martins in an imagined identity that they in turn hold out for fans seeking models of stability and reassurance in an extended moment of great cultural change and instability for white evangelical fundamentalist religious culture. Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. Mud, set in the Arkansas Mississippi River Delta, powerfully evokes the fluidity of class, ethnicity, and geography as defining features of identity in a region where the flux of life is so heavily dependent on, shaped by, and intertwined with the flow of the river. Joyce Martin McCollough . But I'll say this: I've never been more honored to sing about Jesus and for Jesus. . After Grant's divorce from Gary Chapman, her symbolic function in southern gospel expanded to include the corrupting effect of musical compromises on personal morality and the heternormative family.Southern gospel's disdain of CCM can come off as a kind of "Sister Bertha Better Than You" self-righteousness.27Here, I am borrowing an image first popularized by Ray Stevens in "Mississippi Squirrel Revival," on He Thinks He's Ray Stevens (Universal, 1987, MCAC-5517). Consequently, much of conservative Christian culture challenged secular narratives and norms. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. tippy('#footnote_plugin_tooltip_1524_1_19', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_19').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The emergence of The Martins as a national touring group relied strategically on their Arkansas roots. Joyce is married to Paul Sanders, a singer/songwriting musician, currently a member of the country band, Shenandoah where he plays bass and sings harmony. In this context, gospel music functions as a style of vernacular religious entertainment and a form of evangelical cultural experience transcending denominations or confessional traditions. EIN: 95-2844062. [5] Jonathan Martin (b. The siblings have been making music together since she was 10 and she has penned many of their hit songs through the years. Representative scholarly studies include Nancy Ammerman, Baptist Battles: Social Change and Religious Conflict in the Southern Baptist Convention (New Brunswick: Rutgers University Press, 2001); Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Politics and Language (Princeton: Princeton University Press, 2001); Darren Dochuk, From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism (New York: W.W. Norton, 2011); Mark Hulsether, Religion, Culture and Politics in the Twentieth Century United States (New York: Columbia University Press, 2007). tippy('#footnote_plugin_tooltip_1524_1_35', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_35').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The National Quartet Convention, southern gospel's annual flagship event that at its height in the mid-1990s drew crowds approaching 25,000 for four or five nights in a row, no longer attracts audiences or interest to warrant multiyear leases with the Kentucky Fair and Expo Center in Louisville. It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). Her story of brokenness and restoration encourages thousands on social media and from the stage. Joyce Martin is a well known gospel singer. Joyce Martin Sanders is one third of the award-winning gospel trio, The Martins. The popularity of Homecoming derives from its emergence duringand its response tothe declension crisis in southern gospel. Directed by Bill Gaither. Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. For more on Gaither Homecomings and their role and appeal in southern gospel and beyond, see ibid., 110136. See Harrison, Here, I am borrowing an image first popularized by Ray Stevens in ", Although CCM borrows heavily from mainstream secular music and performance styles, it does so to cultivate a canon of popular music that signifies Christianity's cultural relevance and the music's evangelistic savvy, while claiming a special status derived from CCM's pious commitments to conservative evangelical values and theological positions. It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained. November 13, 2001, accessed September 23, 2013, http://www.crosswalk.com/1108828/. The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. The Martins appear to possess an unadorned, God-given popularity that abides in their embodiment of white tradition and progress. From the start, the case of The Martins is linked to the state of their birth. Nor is its cultural function exclusively or even primarily of scholarly interest for what it may tell us about southern whiteness in an ever more racially diverse and pluralistic world. tippy('#footnote_plugin_tooltip_1524_1_25', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_25').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); conservatives primarily in denominationally unaffiliated megachurchessouthern gospel has come to voice the revanchist critique of non-denominational evangelicalism offered by old-line denominational fundamentalists (namely, Southern Baptists, General Baptists, Free Will Baptists, and Independent Baptists; Nazarenes; Church of God; Church of Christ; Assemblies of God; and the more fundamentalist strains of Methodism).26These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. You can take them anywhere. Winter's Bone, set in the rural Ozarks, vividly portrays the psychosocial costs of geographical isolation, lack of economic and educational opportunity, and sense of cultural confinement associated with life in the deep woods of Ozark hill country. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. Joyce E Martin 1946 Born c. 1946 Last Known Residence Texas Summary Joyce E Martin of Texas was born c. 1946. (Jennifer Jones, "Natalie Grant Responds after Leaving Grammys Early," Christianitytoday.com, January 29, 2014, accessed January 31, 2014, http://www.christiantoday.com/article/mass.wedding.at. Mike Joyce was born February 12, 1941, in Detroit, MI, USA. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr, and their four children. What is the birth name of Marty Joyce? See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. tippy('#footnote_plugin_tooltip_1524_1_12', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_12').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Of course, race is never far from any discussion of southern cultures, but it is also true that, in southern gospel, "overmuch emphasis on black-white polarities diminishes our understanding of cultural dynamics submerged beneath the surface of the music. The Martins Wiki: Salary, Married, Wedding, Spouse, Family For the film starring Lee Evans, see The Martins (film)The Martins are a Christian music vocal trio composed of three siblings: Joyce Martin Sanders, Jonathan Martin, and Judy Martin Hess. It emphasizes the unfolding of God's dealings with humanity in phases or eras ("dispensations"). : Gaither Music, 2011. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. For more on cultural-geographic conceptualizations of place, see John Agnew, The United States in the World Economy: A Regional Geography (London: Cambridge University Press, 1987), and Cresswell, Place. . And see Jos Casanova, Public Religions in the Modern World (Chicago: University of Chicago Press, 1994). Interested in submitting your work to Southern Spaces. Martin Jarvis; Randy Edelman; David Jason; Michael Hordern; Oliver Williams; Community. Yes she is a gospel singer and her last name is now sanders Is Evangelist Joyce Rogers married? Randall Balmer, My Eyes of Have Seen the Glory: A Journey Into the Evangelical Subculture in America (New York: Oxford University Press, 2006); and Donald Dayton and Robert Johnson, eds., The Variety of Evangelicalism, (Knoxville: University of Tennessee Press, 2001). The Martins's music signals that what makes this trio a southern gospel group is its commitment to a worldview and way of life that is place-based, class-bound, and consistent with values and assumptions that prevail in white, fundamentalist evangelicalism. More deeply, the decline in market share and cultural capital has eroded southern gospel's self-concept and induced a crisis of authenticity. Although southern gospel is undoubtedly white, not all white gospel is southern, and not all gospel of the US South is white.11Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. The only subgenre of white Christian music that remains relatively strong is Praise and Worship music, whose fortunes have been buoyed by the demand for choruses in non-denominational evangelical churches. Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. Is Joyce Martin. In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. At the end of the nineteenth century and into the first three decades of the twentieth century, southern white gospel was dominated by convention singings that relied on the regular release of small octavo shape-note songbooks such as Crowning Day. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see This is Your Life George Younce, directed by Charlie Waller (n.d., Louisville, KY: National Quartet Convention), DVD. October 14, 1928 in San. For "homecoming" as a practice and concept in southern fundamentalism, see Jeff Todd Titon, Powerhouse for God: Speech, Chant, and Song in Appalachian Baptist Church (Austin: University of Texas Press, 1988). For an analysis of the cultural and religious tensions between southern gospel traditionalists, who founded the GMA, and the CCM fans and performers whose tastes have dominated the GMA for nearly forty years, see Harrison, Then Sings My Soul, 9196. "61Anthony Harkins, Hillbilly: A Cultural History of an American Icon (New York: Oxford University Press, 2003), 7. tippy('#footnote_plugin_tooltip_1524_1_61', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_61').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Yet many of the white, conservative, and fundamentalist Christian consumers who are the target audience for this kind of Christian entertainment merchandise may well see something quite different. To Serve God and Wal-Mart. Joyce: So we went into the bathroom. The Martins are a Christian music vocal trio composed of three siblings: Joyce Martin Sanders, Jonathan Martin, and Judy Martin Hess. The Willow Creek megachurch, under the leadership of Bill Hybels, is the most prominent example of a seeker-sensitive church. Similarly, Gerald Wolfe, also originally a pianist for the Cathedral Quartet and subsequently the owner and emcee of his own professional trio, Greater Vision, was famously plucked from obscurity (or so the story went onstage in his early years as a performer) while singing with the Dumplin' Valley Boys.49References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. Through southern gospel, participants "develop the capacity to think and act as modern pluralists or situational relativists when necessary, while retaining their identification with antimodern religious traditions that notionally believe in timeless, unchanging absolutes. As Stephen Shearon has noted, both white and black gospel have "liked aspects of what the other was doing" ever since blacks and whites began singing sacred music near one another in North America. The Martins singand their fans enjoya fairly broad range of musical styles and an innovative pastiche of old and new that is often indistinguishable from some of the very CCM sounds southern gospel has long denounced as immoral and worldly. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, ", In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Dayton offers an alternative account of "evangelicalism," emphasizing the rise of Pentecostalism and holiness traditions, which, as Jonathan Dodrill notes, "do not seem so bent to ward off liberalism." tippy('#footnote_plugin_tooltip_1524_1_11', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_11').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The rise of "southern" gospel emerged in response to a network of cultural tensions, social conflicts, and religious instabilities.12These longstanding conflicts precede the twentieth century. 1 (2008): 2758. Even though I do not have a better name for it, I remain deeply ambivalent about "northern urban gospel." Broadcasting Since 1973. Martin P. Joyce might be a juvenile justice worker in Youngstown, Ohio. "39Jennifer Lena, Banding Together: How Communities Create Genres in Popular Music (Princeton: Princeton University Press, 2012), 2. tippy('#footnote_plugin_tooltip_1524_1_39', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_39').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); My approach attends to southern gospel as a musical style,40Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. See Heilbut, "Black Urban Hymnody." tippy('#footnote_plugin_tooltip_1524_1_53', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_53').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If The Martins's Arkansas origins are not revealed in this story, their roots surface in a 2011 Gaither Homecoming video, The Best of The Martins, a collection of performances over the preceding nineteen years. tippy('#footnote_plugin_tooltip_1524_1_46', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_46').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The paradox of The Martins's Homecoming reputation as masters of classic gospel hymnody and their much wider stylistic reach and renown before and beyond the Homecoming stage suggests that there is more to their appeal to southern gospel audiences than can be accounted for by their music. At the same time, the group evinces no interest in stylistic purity or generic fealty to a specific tradition, even as the album titleincluding the florid and flowing cover typographyframes their music as a filiopietistic missive from the old home place that is a staple of the southern gospel imagination.46While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). While CCM is less fundamentalist than southern gospel, it participates in the long drift of conservative evangelicalism toward separating itself from the wider world of American life and culture. From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism. Mae is her 18-year-old daughter. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. She tells Bill, "you have to hear these kids sing." The. Southern gospel's cultural sustainability turns out to be an urgent matter of concern, even if southern gospel people themselves do not tend to speak about it that way. Geography and biography merge in the Arkansas imaginary to redefine and authenticate The Martins's musical personae and southern gospel as a mode of fundamentalist and conservative evangelical experience. There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." These distortions and elisions are at work in the Gaither video biography of The Martins that points to aspects of the Arkansas imaginary distinct from generalized assumptions about white trash and hillbillies. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. The church's leadership believed the approach would attract people searching for answers, bring them into a relationship with Christ, and then capitalize on their contagious fervor to evangelize others" (Matt Branaugh, "Willow Creek's 'Huge Shift,'" ChristianityToday.com, May 15, 2008, accessed May 15, 2014, http://www.christianitytoday.com/ct/2008/june/5.13.html). May 3, 1971) lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. Though the publication of "He Leadeth Me" predates the popularization of the term of "gospel hymns" (which is most commonly sourced to Philip P. Bliss's, While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. Grove Music Online. Bob Joyce died December 10, 1981, in San Francisco, CA, USA. Audiocassette. tippy('#footnote_plugin_tooltip_1524_1_27', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_27').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true });And it is that, to a certain extent. Music publishers of seven-shape notational gospel music and the convention singing tradition to which these publishers catered were familiar with the term for much of the twentieth century. She is divorced and has been for some time, but the date of her divorce is not listed. Kim Hopper, Joyce Martin Sanders, Shane McConnell - Official Video for "Love At Home (Live)", available now!Buy the full length DVD/CD 'Give The World A Smil. My focus on professional southern gospel music is distinct from the avocational or amateur tradition, known as convention singing. So, we're in the little church in Anderson, Indiana, and they are rehearsing for the next day and we're in the foyer. Such an assumption would not be wholly unjustified.9The conflation of "southern" and "white" to describe this music circulates widely among scholars and non-specialists, but has only been tentatively stated in scholarship. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. Take, for instance, Joyce and Judy's 2001 telling of how The Martins scored the chance to sing "He Leadeth Me" on the Homecoming stage. The conflation of "southern" and "white" to describe this music circulates widely among scholars and non-specialists, but has only been tentatively stated in scholarship. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. . Several prominent bluegrass and old time families have been mainstays of southern gospel since family acts began to emerge in the 1930s and 1940s: most prominently, The Lewis Family and The Chuck Wagon Gang, and later the Primitive Quartet, The Easters, and The Isaacs. Researched in the 1990s and published in 2002, Close Harmony traces the music's development from the nineteenth century. And I've never been more sure of the path I've chosen." See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. For an overview of southern gospel's history and development within the wider domain of American gospel music, see Shearon et al., "Gospel Music," and Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990). Rooted in the professional identity crisis Bill Gaither experienced in the late 1980s and early 1990s as an minence grise in Christian entertainment who was struggling to figure out what to do next, Homecoming "has succeeded and thrived by using religious music entertainment to address a wider crisis of relevance afflicting" southern gospel and contemporary evangelicalism. The Martins Biography by John Bush A brother-sisters trio of a cappella gospel harmonizers, the Martins consist of Joyce Martin McCollough, Jonathan Martin and Judy Martin Hess. The Martins's arrival on the national gospel scene participates in a familiar narrative of the country kids from Nowheresville, USA, making it big. Trinity Broadcasting Network is the D.B.A. of Trinity Christian Center of Santa Ana Inc., a California religious non-profit corporation holding 501(C)(3) status with the Internal Revenue Service. Trey is 20 and lives and works in Nashville only a few miles from his mom. Judy Martin Hess (b. "17On "lived religion," see David D. Hall, Lived Religion: Toward a History of Practice (Princeton: Princeton University Press, 1997), 321. Beyond the style it captures, this clip points to the structures of thought and feeling that underlie The Martins's appeal and southern gospel music more generally. Do you know any background info about this artist? Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. Douglas Harrison is Associate Professor of English and Assistant Director of the Center for Faculty Innovation at James Madison University. I Love to the Tell the Story: 25 Timeless Hymns, won a 1996 Grammy for Best Southern Gospel, Country Gospel, or Bluegrass Gospel Album. The notion of The Martins's music as culturally transcendentnot despite but because of its particularized rusticityis reinforced in another clip from The Best of The Martins in which the trio sings on the 1998 Hawaiian Homecoming. This element of cultural separatism has reemerged in the past generation within southern gospel. The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither Homecoming Magazine, syndicated radio shows on terrestrial and satellite radio, and not least of all through the Gaither online store. tippy('#footnote_plugin_tooltip_1524_1_5', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_5').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Among these people, "the term southern gospel," as I have noted elsewhere, "was not used to describe the music [in its professional, commercialized form] until the 1970s and did not gain widespread use until the 1980s. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. Goff's remains the most extensive and influential account of southern gospel's market decline. New York: W. W. Norton, 2011. Nathaniel Crawford (Eugene: Wifp and Stock, 2011), 84. tippy('#footnote_plugin_tooltip_1524_1_22', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_22').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Southern gospel is overwhelmingly a product of evangelical fundamentalism. 'Cause it's worth every . The MartinsJoyce Martin McCullough, Judy Martin Hess, and Jonathan Martingrew up in Hamburg, Ark., (pop. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr. and their four children. Key figures include. The songs are structurally derivative and lyrically conventional, but this music is interesting for what it suggests about The Martins's cultural temperament and expressive style, best described in these early years as one of rustic post-teen southern evangelical angsty spiritual wonderment. 3,147) where they became a popular regional Christian music act. For more on The Martins's biography, see the following section and note 41. Blevins, Brooks. Joyce Martin Sanders is an American singer who, along with her siblings Jonathan Martin and Judy Martin Hess, is best known as a member of the Christian country trio The Martins. NQC's leadership recently announced that the event will take up residence in a regional conference center at Pigeon Forge, Tennessee.36Sheldon Shafer, "National Quartet Convention Ending Long Run in Louisville," Louisville Courier-Journal.com, September 3, 2013, accessed October 1, 2013, http://www.courier-journal.com/article/20130903/SCENE04/309030069/.
John Mellencamp Daughter, Articles J
John Mellencamp Daughter, Articles J